Download Acoustic Communication, 2nd Edition fb2
by Barry Truax
Pages: 312 pages
Publisher: Praeger; 2nd edition (October 30, 2000)
Formats: docx lrf doc lrf
FB2 size: 1218 kb | EPUB size: 1218 kb | DJVU size: 1196 kb
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Acoustic Communication is an invaluable text book for those involved in social science in general and communication . Truax' work aims to discuss acoustic communication beyond the disciplinary boundaries of such works.
Acoustic Communication is an invaluable text book for those involved in social science in general and communication studies in particular. offers a radical way to approach sound that will promote a broader and deeper understanding of sound and the relationships between sound, the listener and the environment. Kendall Wrightson, Soundscape, The Journal of Acoustic Ecology, 2(2), December 2001. This approach, as well as the inclusion of the interactive CD-ROM in this publication, makes it a welcome addition to the communication literature.
Acoustic Communication Barry Truax. Simon Fraser University Burnaby, British Columbia, Canada. Communication and information science) Bibliography: p. Includes index. 3. Electro-acoustics.
Perhaps, book reflects the productive tension currently charging Truax wonders, .. they are all overwhelmed by the information the interdisciplinary field of acoustic ecology, between the society (p xii). ethnographic and empirical work first initiated by the For those involved in one of the audio-related disciplines, World Soundscape Project (in 1970), and an emerging Acoustic Communication offers a radical way to.
Each of us was involved in the birth of these two fields. We each reflect here on the rich history of landscape ecology and acoustic ecology and provide some thoughts on the future of soundscape ecology as a new perspective.
Since the first edition was published seventeen years ago social and technical changes have altered the world of acoustic communication. This book draws upon many traditional disciplines that deal with specific aspects of sound,and presents material within an interdisciplinary framework. It establishes a model for understanding all acoustic and aural experiences both in their traditional forms and as they have been radically altered in the 20th century, Digital technology has completely redefined the listening and consumption patterns of sound. We are now able to benefit from the march of technology via a companion CD-ROM, which accompanies this volume for the first time.